How long is fantasia 1940

Music has always played a very important part since sound came into the cartoon. Now, the full expression that comes from the new Fantasound opens up a whole new world for us.

Huge trucks hauled lineally tons of recording equipment to Philadelphia, where nine separate optical tracks were recorded, isolating various sections of the orchestra. This was mixed down to three main tracks with a special additional notched track known as the TOGAD or tone-operated gain-adjusting device track , used to trigger relays for transferring the music to the many Fantasound speakers throughout the theater. As the music sweeps to a climax, it froths over the proscenium arch, boils into the rear of the theatre, all but prances up and down the aisles.

The Board of Governors voted to present the revolutionary motion-picture-and-music meld two Special Awards, both presented by Academy president and 20th Century Fox mogul Darryl F. Thalberg Memorial Award, occasionally given for consistent creativity and excellence in production. The previous Thalberg honoree, David O. A deluxe three-LP record set with a 24 page insert book with text by Deems Taylor and illustrations adapted from the film by Disney animation artists Al Dempster, Dick Kelsey and Art Riley, all of whom worked on the film.

In penning an introduction to this unique album set, Walt Disney noted that many fans had requested the Fantasia music be released as a recording. We recommend that the volume control on your phonograph be kept at a moderate room level for the fullest enjoyment. It will be immediately apparent to critical stereophonic enthusiasts that this by no means represents modern stereophonic recording, and no such claim is made.

There were a few other books I consulted, but they contained the same information. Disney was certainly one of the most influential figures of the twentieth century, and his biography offers many insights into his legacy, which remains as potent as ever today.

Philip Glass also wrote an interesting opera about Disney, which must be one of the few dramatic portrayals of the man:. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Notify me of follow-up comments by email. Notify me of new posts by email.

Walt Disney introduces the seven dwarves in the original theatrical trailer for Snow White and the Seven Dwarves. A poster from the release of Fantasia. Share Post facebook twitter. Philip Glass also wrote an interesting opera about Disney, which must be one of the few dramatic portrayals of the man: Enjoy! Leave a Reply Cancel reply Your email address will not be published. Loading Comments Two of its most famous segments of ten animated vignettes were 1 Prokofiev's Peter and the Wolf narrated by Sterling Holloway [distributed with the re-release of Fantasia in as an 'update'], and 2 Casey at the Bat.

Another of the segments, Blue Bayou , was originally set to Debussy's Claire de Lune and was intended to be included in Fantasia , but it was cut due to length. As the film begins, orchestral musicians including cellists, violinists, brass and wood-wind players - all studio musicians from the Los Angeles area, are to be conducted by Leopold Stokowski, the Philadelphia Orchestra's conductor from to The musicians are displayed in shadow and color and are silhouetted against a blue backdrop in the opening as they take their accustomed places and tune their instruments.

What you're going to see are the designs and pictures and stories that music inspired in the minds and imaginations of a group of artists. In other words, these are not going to be the interpretations of trained musicians which I think is all to the good.

The resident presenter of the NY first explains that there are three kinds of music: music that tells a definite story, music that paints a series of pictures, and "absolute music" that exists simply for its own sake. This first piece is an example of "absolute music. At first, you are more or less conscious of the orchestra. So our picture opens with a series of impressions of the conductor and the players. Then the music begins to suggest other things to your imagination.

They might be, oh, just masses of color, or they may be cloud forms or great landscapes or vague shadows or geometrical objects floating in space. Taylor's introduction concludes with the figure of Leopold Stokowski moving center stage to mount the podium and call attention with his hands to orchestral members. As the piece begins, sections of the orchestra - shadows of the players including violinists, cellists, and French hornists - light up to emphasize their playing, against other colorful backdrops.

After the opening Toccata , images of the orchestra's instruments and players turn more abstract and bizarre in the Fugue. The ends of violin bows become silver streaks darting through the heavens.

Clouds and sky cover the screen. Music is projected as yellow streaks of light. Abstract forms and shapes concentric circles, patterns, waves move in a lively fashion, synchronized to the musical tones. Strings are suspended in air played with soaring bows. Discs or wafers resembling objects in space appear and disappear. As the music builds, sparkling bits of fireworks dance and explode in a metamorphosis of light and color.

The piece concludes with a huge, orange sunset, over which is superimposed the black silhouette of conductor Stokowski - and then it all fades to black. Deem Taylor's continuing "music lesson" narration holds together various pieces of the film:.